Poetic EddaNorse MythologyAncient Myth / ComparativeOld NorseSharePoetic Edda 27Bellows - EnglishMoreVersion - 1 availableBellowsLanguageEnglishEspañol‹Poetic Edda 1Poetic Edda 2Poetic Edda 3Poetic Edda 4Poetic Edda 5Poetic Edda 6Poetic Edda 7Poetic Edda 8Poetic Edda 9Poetic Edda 10Poetic Edda 11Poetic Edda 12Poetic Edda 13Poetic Edda 14Poetic Edda 15Poetic Edda 16Poetic Edda 17Poetic Edda 18Poetic Edda 19Poetic Edda 20Poetic Edda 21Poetic Edda 22Poetic Edda 23Poetic Edda 24Poetic Edda 25Poetic Edda 26Poetic Edda 27Poetic Edda 28Poetic Edda 29Poetic Edda 30Poetic Edda 31Poetic Edda 32Poetic Edda 33Poetic Edda 34Poetic Edda 35Poetic Edda 36Poetic Edda 37Poetic Edda 38Poetic Edda 39Poetic Edda 40Poetic Edda 41Poetic Edda 42Poetic Edda 43Poetic Edda 44Poetic Edda 45Poetic Edda 46Poetic Edda 47Poetic Edda 48Poetic Edda 49Poetic Edda 50Poetic Edda 51Poetic Edda 52Poetic Edda 53Poetic Edda 54Poetic Edda 55Poetic Edda 56Poetic Edda 57Poetic Edda 58Poetic Edda 59Poetic Edda 60Poetic Edda 61Poetic Edda 62Poetic Edda 63Poetic Edda 64Poetic Edda 65Poetic Edda 66Poetic Edda 67Poetic Edda 68Poetic Edda 69Poetic Edda 70Poetic Edda 71Poetic Edda 72Poetic Edda 73Poetic Edda 74Poetic Edda 75Poetic Edda 76Poetic Edda 77Poetic Edda 78Poetic Edda 79Poetic Edda 80Poetic Edda 81Poetic Edda 82Poetic Edda 83Poetic Edda 84Poetic Edda 85Poetic Edda 86›NotesPoetic Edda 27ListenPlay this chapter in spoken English.Save chapterListen to chapter11. Freyja: The names of the speakers do not appear in the manuscripts. On Freyja cf. Voluspo, 21 and note; Skirnismol, introductory prose and note; Lokasenna, introductory prose and note. As stanzas 9–10 show, Ottar has made a wager of his entire inheritance with Angantyr regarding the relative loftiness of their ancestry, and by rich offerings (Hyndla hints at less commendable methods) has induced Freyja to assist him in establishing his genealogy. Freyja, having turned Ottar for purposes of disguise into a boar, calls on the giantess Hyndla (“She-Dog”) to aid her. Hyndla does not appear elsewhere in the poems. 22. Heerfather: Othin; cf. Voluspo, 30. Hermoth: mentioned in the Prose Edda as a son of Othin who is sent to Hel to ask for the return of the slain Baldr. Sigmund: according to the Volsungasaga Sigmund was the son of Volsung, and hence Othin’s great-great-grandson (note that Wagner eliminates all the intervening generations by the simple expedient of using Volsung’s name as one of Othin’s many appellations). Sigmund alone was able to draw from the tree the sword which a mysterious stranger (Othin, of course) had thrust into it (compare the first act of Wagner’s Die Walküre). 33. Sijmons suggests that this stanza may be an interpolation. 44. No lacuna after line 2 is indicated in the manuscript. Editors have attempted various experiments in rearranging this and the following stanza. 55. Some editors, following Simrock, assign this whole stanza to Hyndla; others assign to her lines 3–4. Giving the entire stanza to Freyja makes better sense than any other arrangement, but is dependent on changing the manuscript’s “thy” in line 3 to “my,” as suggested by Bugge. The boar on which Freyja rides (“my worthy steed”) is, of course, Ottar. 66. Hyndla detects Ottar, and accuses Freyja of having her lover with her. Unless Ottar is identical with Oth (cf. Voluspo, 25 and note), which seems most unlikely, there is no other reference to this love affair. The way of the slain: the road to Valhall. 77. Various experiments have been made in condensing the stanza into four lines, or in combining it with stanza 8. Hildisvini (“Battle-Swine”): perhaps Freyja refers to the boar with golden bristles given, according to Snorri, to her brother Freyr by the dwarfs. Dain: a dwarf; cf. Voluspo, 11. Nabbi: a dwarf nowhere else mentioned. 88. The first line is obviously corrupt in the manuscript, and has been variously emended. The general assumption is that in the interval between stanzas 7 and 8 Freyja and Hyndla have arrived at Valhall. No lacuna is indicated in the manuscript. 99. Foreign metal: gold. The word valr, meaning “foreign,” and akin to “Welsh,” is interesting in this connection, and some editors interpret it frankly as “Celtic,” i.e., Irish. 1010. To glass: i.e., the constant fires on the altar have fused the stone into glass. Glass beads, etc., were of very early use, though the use of glass for windows probably did not begin in Iceland much before 1200. 1111. Possibly two stanzas, or perhaps one with interpolations. The manuscript omits the first half of line 4, here filled out from stanza 16, line 2. Skjoldungs: the descendants of Skjold, a mythical king who was Othin’s son and the ancestor of the Danish kings; cf. Snorri’s Edda, Skaldskaparmal, 43. Skilfings: mentioned by Snorri as descendants of King Skelfir, a mythical ruler in “the East.” In Grimnismol, 54, the name Skilfing appears as one of Othin’s many appellations. Othlings: Snorri derives this race from Authi, the son of Halfdan the Old (cf. stanza 14). Ylfings: some editors have changed this to “Ynglings,” as in stanza 16, referring to the descendants of Yng or Yngvi, another son of Halfdan, but the reference may be to the same mythical family to which Helgi Hundingsbane belonged (cf. Helgakvitha Hundingsbana I, 5). 1212. Instein: mentioned in the Halfssaga as one of the warriors of King Half of Horthaland (the so-called Halfsrekkar). The others mentioned in this stanza appear in one of the later mythical accounts of the settlement of Norway. 1314. Stanzas 14–16 are clearly interpolated, as Friaut (stanza 13, line 3) is the daughter of Hildigun (stanza 17, line 1). Halfdan the Old, a mythical king of Denmark, called by Snorri “the most famous of all kings,” of whom it was foretold that “for three hundred years there should be no woman and no man in his line who was not of great repute.” After the slaying of Sigtrygg he married Almveig (or Alvig), daughter of King Eymund of Holmgarth (i.e., Russia), who bore him eighteen sons, nine at one birth. These nine were all slain, but the other nine were traditionally the ancestors of the most famous families in Northern hero lore. 1416. Compare stanza 11. All or part of this stanza may be interpolated. 1517. Hildigun (or Hildiguth): with this the poem returns to Ottar’s direct ancestry, Hildigun being Friaut’s mother. Line 4: cf. the refrain-line in the Voluspo (stanzas 27, 29, etc.). 1618. Another interpolation, as Ketil (stanza 19, line 1) is the husband of Hildigun (stanza 17). Dag: one of Halfdan’s sons, and ancestor of the Döglings. Line 5 may be a late addition. 1719. Ketil: the semi-mythical Ketil Hortha-Kari, from whom various Icelandic families traced their descent. Hoalf: probably King Half of Horthaland, hero of the Halfssaga, and son of Hjorleif and Hild (cf. stanza 12, note). 1820. Nanna: the manuscript has “Manna.” Of Nanna and her father, Nokkvi, we know nothing, but apparently Nanna’s son married a sister of Instein, Ottar’s father. 1921. Olmoth: one of the sons of Ketil Hortha-Kari. Line 4: here, and generally hereafter when it appears in the poem, this refrain-line is abbreviated in the manuscript to the word “all.” 2022. An isolated stanza, which some editors place after stanza 24, others combining lines 1–2 with the fragmentary stanza 23. In the manuscript lines 3–4 stand after stanza 24, where they fail to connect clearly with anything. Hrolf the Old: probably King Hrolf Gautreksson of Gautland, in the saga relating to whom (Fornaldar sögur III, 57 ff.) appear the names of Thorir the Iron-shield and Grim Thorkelsson. 2123. Stanzas 23 and 24 name the twelve Berserkers, the sons of Arngrim and Eyfura, the story of whom is told in the Hervararsaga and the Orvar-Oddssaga. Saxo Grammaticus tells of the battle between them and Hjalmar and Orvar-Odd. Line 1 does not appear in the manuscript, but is added from the list of names given in the sagas. The Berserkers were wild warriors, distinguished above all by the fits of frenzy to which they were subject in battle; during these fits they howled like wild beasts, foamed at the mouth, and gnawed the iron rims of their shields. At such times they were proof against steel or fire, but when the fever abated they were weak. The etymology of the word berserk is disputed; probably, however, it means “bear-shirt.” 2224. The manuscript omits the first half of line 1, here supplied from the Orvar-Oddssaga. Bolm: probably the island of Bolmsö, in the Swedish province of Småland. In the manuscript and in most editions stanza 24 is followed by lines 3–4 of stanza 22. Some editors reject line 5 as spurious. 2325. In the manuscript line 1 stands after line 4 of stanza 29. Probably a stanza enumerating Jormunrek’s sons has been lost. Many editors combine lines 3–4 of stanza 22 and lines 2–4 of stanza 25 into one stanza. Jormunrek: the historical Ermanarich, king of the Goths, who died about 376. According to Norse tradition, in which Jormunrek played a large part, he slew his own sons (cf. Guthrunarhvot and Hamthesmol). In the saga Jormunrek married Sigurth’s daughter, Svanhild. Stanzas 25–27 connect Ottar’s descent with the whole Volsung-Sigurth-Jormunrek-Gjuki genealogy. The story of Sigurth is the basis for most of the heroic poems of the Edda, of the famous Volsungasaga, and, in Germany, of the Nibelungenlied. On his battle with the dragon Fafnir cf. Fafnismol. 2426. Volsung: Sigurth’s grandfather and Othin’s great-grandson. Hjordis: daughter of King Eylimi, wife of Sigmund and mother of Sigurth. Othlings: cf. stanza 11. 2527. Gunnar, Hogni, and Guthrun: the three children of the Burgundian king Gjuki and his wife Grimhild (Kriemhild); Guthrun was Sigurth’s wife. Gotthorm, the third brother, who killed Sigurth at Brynhild’s behest, was Grimhild’s son, and thus a step-son of Gjuki. These four play an important part in the heroic cycle of Eddic poems. Cf. Gripisspo, introductory note. 2628. In the manuscript and in many editions these two lines stand between stanzas 33 and 34. The change here made follows Bugge. The manuscript indicates no gap between stanzas 27 and 29. Hvethna: wife of King Halfdan of Denmark. 2729. The manuscript and many editions include line 1 of stanza 25 after line 4 of stanza 29. The story of Harald Battle-tooth is told in detail by Saxo Grammaticus. Harald’s father was Hrörek, king of Denmark; his mother was Auth, daughter of Ivar, king of Sweden. After Ivar had treacherously destroyed Hrörek, Auth fled with Harald to Russia, where she married King Rathbarth. Harald’s warlike career in Norway, and his death on the Bravalla-field at the hands of his nephew, Sigurth Ring, son of Randver and grandson of Rathbarth and Auth, were favorite saga themes. 2830. At this point begins the fragmentary and interpolated “short Voluspo” identified by Snorri. The manuscript gives no indication of the break in the poem’s continuity. Eleven: there are various references to the “twelve” gods (including Baldr); Snorri (Gylfaginning, 20–33) lists the following twelve in addition to Othin: Thor, Baldr, Njorth, Freyr, Tyr, Bragi, Heimdall, Hoth, Vithar, Vali, Ull and Forseti; he adds Loki as of doubtful divinity. Baldr and Vali: cf. Voluspo, 32–33. 2931. The fragmentary stanzas 31–34 have been regrouped in various ways, and with many conjectures as to omissions, none of which are indicated in the manuscript. The order here is as in the manuscript, except that lines 1–2 of stanza 28 have been transposed from after line 2 of stanza 33. Bur’s heir: Othin; cf. Voluspo, 4. 3032. Freyr, Gerth, Gymir: cf. Skirnismol. Aurbotha: a giantess, mother of Gerth. Thjazi and Skathi: cf. Lokasenna, 49, and Harbarthsljoth, 19. 3133. Cf. Voluspo, 44 and 27. 3234. Heith (“Witch”) and Hrossthjof (“Horse-thief”): the only other reference to the giant Hrimnir (Skirnismol, 28) makes no mention of his children. 3335. This stanza is quoted by Snorri (Gylfaginning, 5). Of Vitholf (“Forest Wolf”), Vilmeith (“Wish-Tree”) and Svarthofthi (“Black Head”) nothing further is known. Ymir: cf. Voluspo, 3. 3437. According to Snorri (Gylfaginning, 27) Heimdall was the son of Othin and of nine sisters. As Heimdall was the watchman of the gods, this has given rise to much “solar myth” discussion. The names of his nine giantess mothers are frequently said to denote attributes of the sea. 3538. The names of Heimdall’s mothers may be rendered “Yelper,” “Griper,” “Foamer,” “Sand-Strewer,” “She-Wolf,” “Sorrow-Whelmer,” “Dusk,” “Fury,” and “Iron-Sword.” 3639. It has been suggested that these lines were interpolated from Guthrunarkvitha II, 22. Some editors add the refrain of stanza 36. Swine’s blood: to Heimdall’s strength drawn from earth and sea was added that derived from sacrifice. 3740. In the manuscript this stanza stands after stanza 44. Regarding Heimdall’s kinship to the three great classes of men, cf. Rigsthula, introductory note, wherein the apparent confusion of his attributes with those of Othin is discussed. 3842. Probably a lacuna before this stanza. Regarding the wolf Fenrir, born of Loki and the giantess Angrbotha, cf. Voluspo, 39 and note. Sleipnir: Othin’s eight-legged horse, born of the stallion Svathilfari and of Loki in the guise of a mare (cf. Grimnismol, 44). The worst: doubtless referring to Mithgarthsorm, another child of Loki. The brother of Byleist: Loki; cf. Voluspo, 51. 3943. Nothing further is known of the myth here referred to, wherein Loki (Lopt) eats the cooked heart of a woman and thus himself gives birth to a monster. The reference is not likely to be to the serpent, as, according to Snorri (Gylfaginning, 34), the wolf, the serpent, and Hel were all the children of Loki and Angrbotha. 4044. Probably an omission, perhaps of considerable length, before this stanza. For the description of the destruction of the world, cf. Voluspo, 57. 4145. Cf. Voluspo, 65, where the possible reference to Christianity is noted. With this stanza the fragmentary “short Voluspo” ends, and the dialogue between Freyja and Hyndla continues. 4246. Freyja now admits the identity of her boar as Ottar, who with the help of the “memory-beer” is to recall the entire genealogy he has just heard, and thus win his wager with Angantyr. 4347. Heithrun: the she-goat that stands by Valhall (cf. Grimnismol, 25), the name being here used simply of she-goats in general, in caustic comment on Freyja’s morals. Of these Loki entertained a similar view; cf. Lokasenna, 30. 4448. Oth: cf. stanza 6 and note, and Voluspo, 25 and note. Lines 3–4, abbreviated in the manuscript, are very likely repeated here by mistake. 4549. The manuscript repeats once again lines 3–4 of stanza 47 as the last two lines of this stanza. It seems probable that two lines have been lost, to the effect that Freyja will burn the giantess alive “If swiftly now | thou dost not seek, / And hither bring | the memory-beer.” ‹Previous chapterPoetic Edda 26Next chapterPoetic Edda 28›Similar passagesBy tradition and source labelFind similarCompare selectedCompare with similarAsk Deep ThoughtSelect passages to search for parallels.Tap any verse to select it, then compare selected passages or ask Deep Thought. Public domain in the United States via Project Gutenberg