Poetic EddaNorse MythologyAncient Myth / ComparativeOld NorseSharePoetic Edda 64Bellows - EnglishMoreVersion - 1 availableBellowsLanguageEnglishEspañol‹Poetic Edda 1Poetic Edda 2Poetic Edda 3Poetic Edda 4Poetic Edda 5Poetic Edda 6Poetic Edda 7Poetic Edda 8Poetic Edda 9Poetic Edda 10Poetic Edda 11Poetic Edda 12Poetic Edda 13Poetic Edda 14Poetic Edda 15Poetic Edda 16Poetic Edda 17Poetic Edda 18Poetic Edda 19Poetic Edda 20Poetic Edda 21Poetic Edda 22Poetic Edda 23Poetic Edda 24Poetic Edda 25Poetic Edda 26Poetic Edda 27Poetic Edda 28Poetic Edda 29Poetic Edda 30Poetic Edda 31Poetic Edda 32Poetic Edda 33Poetic Edda 34Poetic Edda 35Poetic Edda 36Poetic Edda 37Poetic Edda 38Poetic Edda 39Poetic Edda 40Poetic Edda 41Poetic Edda 42Poetic Edda 43Poetic Edda 44Poetic Edda 45Poetic Edda 46Poetic Edda 47Poetic Edda 48Poetic Edda 49Poetic Edda 50Poetic Edda 51Poetic Edda 52Poetic Edda 53Poetic Edda 54Poetic Edda 55Poetic Edda 56Poetic Edda 57Poetic Edda 58Poetic Edda 59Poetic Edda 60Poetic Edda 61Poetic Edda 62Poetic Edda 63Poetic Edda 64Poetic Edda 65Poetic Edda 66Poetic Edda 67Poetic Edda 68Poetic Edda 69Poetic Edda 70Poetic Edda 71Poetic Edda 72Poetic Edda 73Poetic Edda 74Poetic Edda 75Poetic Edda 76Poetic Edda 77Poetic Edda 78Poetic Edda 79Poetic Edda 80Poetic Edda 81Poetic Edda 82Poetic Edda 83Poetic Edda 84Poetic Edda 85Poetic Edda 86›NotesPoetic Edda 64ListenPlay this chapter in spoken English.Save chapterListen to chapter1Prose. The prose follows the concluding prose of the Brot without indication of a break, the heading standing immediately before stanza 1. Fafnir’s heart: this bit of information is here quite without point, and it is nowhere else stated that Guthrun understood the speech of birds. In the Volsungasaga it is stated that Sigurth gave Guthrun some of Fafnir’s heart to eat, “and thereafter she was much grimmer than before, and wiser.” 21. This stanza seems to be based on Guthrunarkvitha II, 11–12. 34. Gjaflaug: nothing further is known of this aunt of Guthrun, or of the many relatives whom she has lost. Very likely she is an invention of the poet’s, for it seems improbable that otherwise all further trace of her should have been lost. Line 4 has been marked by many editors as spurious. 45. Some editors assume the loss of a line, after either line 1 or line 3. I prefer to believe that here and in stanza 10 the poet knew exactly what he was doing, and that both stanzas are correct. 56. Herborg: neither she nor her sorrows are elsewhere mentioned, nor is it clear what a “queen of the Huns” is doing in Gunnar’s home, but the word “Hun” has little definiteness of meaning in the poems, and is frequently applied to Sigurth himself (cf. note on stanza 24). Herborg appears from stanza 11 to have been the foster-mother of Gollrond, Guthrun’s sister. Lines 5–7 may be interpolations, or may form a separate stanza. 67. Lines 1 and 2 stand in reversed order in the manuscript; I have followed Gering’s conjectural transposition. 79. Herborg implies that the queen’s jealousy was not altogether misplaced. 810. Cf. stanza 5 and note. The manuscript abbreviates to first letters. 911. Gollrond: not elsewhere mentioned. Line 4 looks like an interpolation replacing a line previously lost. 1012. The manuscript indicates line 3 as the beginning of a stanza, and some editors have attempted to follow this arrangement. 1114. Many editors assume the loss of a line from this stanza. 1215. The word here translated “tresses” is sheer guesswork. The detail of the geese is taken from Sigurtharkvitha en skamma, 29, line 3 here being identical with line 4 of that stanza. 1316. Line 1, abbreviated in the manuscript, very likely should be simply “Gollrond spake.” 1417. Cf. Guthrunarkvitha II, 2. The manuscript does not name the speaker, and some editions have a first line, “Then Guthrun spake, | the daughter of Gjuki.” 1518. Herjan: Othin; his maids are the Valkyries; cf. Voluspo, 31, where the same phrase is used. 1620. Line 4 looks like an interpolation (cf. Fafnismol, 9, line 4), but some editors instead have queried line 5. How Guthrun’s curse is fulfilled is told in the subsequent poems. That desire for Sigurth’s treasure (the gold cursed by Andvari and Loki) was one of the motives for his murder is indicated in Sigurtharkvitha en skamma (stanza 16), and was clearly a part of the German tradition, as it appears in the Nibelungenlied. 1721. Cf. Gripisspo, 35 and note. 1822. Line 1 is abbreviated in the manuscript. 1923. Editors are agreed that this stanza shows interpolations, but differ as to the lines to reject. Line 4 (literally “every wave of ill-doing drives thee”) is substantially a proverb, and line 5, with its apparently meaningless reference to “seven” kings, may easily have come from some other source. 2024. The stanza is obviously in bad shape; perhaps it represents two separate stanzas, or perhaps three of the lines are later additions. Atli: Brynhild here blames her brother, following the frequent custom of transferring the responsibility for a murder (cf. Helgakvitha Hundingsbana II, 33), because he compelled her to marry Gunnar against her will, an idea which the poet seems to have gained from Sigurtharkvitha en skamma, 32–39. These stanzas represent an entirely different version of the story, wherein Atli, attacked by Gunnar and Sigurth, buys them off by giving Gunnar his sister, Brynhild, as wife. He seems to have induced the latter to marry Gunnar by falsely telling her that Gunnar was Sigurth (a rationalistic explanation of the interchange of forms described in the Volsungasaga and Gripisspo, 37–39). In the present stanza Atli is made to do this out of desire for Sigurth’s treasure. Hunnish race: this may be merely an error (neither Gunnar nor Sigurth could properly have been connected in any way with Atli and his Huns), based on Sigurtharkvitha en skamma, wherein Sigurth appears more than once as the “Hunnish king.” The North was very much in the dark as to the differences between Germans, Burgundians, Franks, Goths, and Huns, and used the words without much discrimination. 21On the other hand, it may refer to Sigurth’s appearance when, adorned with gold, he came with Gunnar to besiege Atli, in the alternative version of the story just cited (cf. Sigurtharkvitha en skamma, 36). Flame of the snake’s bed: gold, so called because serpents and dragons were the traditional guardians of treasure, on which they lay. 22Prose. The manuscript has “Gunnar” in place of “Guthrun,” but this is an obvious mistake; the entire prose passage is based on Guthrunarkvitha II, 14. The Volsungasaga likewise merely paraphrases Guthrunarkvitha II, and nothing further is known of Thora or her father, Hokon, though many inconclusive attempts have been made to identify the latter. Brynhild: the story of her death is told in great detail in the latter part of Sigurtharkvitha en skamma. ‹Previous chapterPoetic Edda 63Next chapterPoetic Edda 65›Similar passagesBy tradition and source labelFind similarCompare selectedCompare with similarAsk Deep ThoughtSelect passages to search for parallels.Tap any verse to select it, then compare selected passages or ask Deep Thought. Public domain in the United States via Project Gutenberg