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Gjuki: father of the brothers twain, Gunnar and Hogni, and of Guthrun. In this version of the story Sigurth goes straight to the home of the Gjukungs after his victory over the dragon Fafnir, without meeting Brynhild on the way (cf. Gripisspo, 13 and note). Volsung: Sigurth’s grandfather was Volsung; cf. Fra Dautha Sinfjotla and note. Oaths: regarding the blood-brotherhood sworn by Sigurth, Gunnar, and Hogni cf. Brot, 18 and note. 23. Brynhild: on the winning of Brynhild by Sigurth in Gunnar’s shape cf. Gripisspo, 37 and note. The poet here omits details, and in stanzas 32–39 appears a quite different tradition regarding the winning of Brynhild, which I suspect he had in mind throughout the poem. 34. Southern hero: Sigurth, whose Frankish origin is seldom wholly lost sight of in the Norse versions of the story. On the episode of the sword cf. Gripisspo, 41 and note. Line 3 may well be an interpolation; both lines 4 and 5 have also been questioned, and some editions combine line 5 with lines 1–3 of stanza 5. Hunnish king: Sigurth, who was, of course, not a king of the Huns, but was occasionally so called in the later poems owing to the lack of ethnological distinction made by the Norse poets (cf. Guthrunarkvitha I, 24 and note). 45. This stanza may refer, as Gering thinks, merely to the fact that Brynhild lived happy and unsuspecting as Gunnar’s wife until the fatal quarrel with Guthrun (cf. Gripisspo, 45 and note) revealed to her the deceit whereby she had been won, or it may refer to the version of the story which appears in stanzas 32–39, wherein Brynhild lived happily with Atli, her brother, until he was attacked by Gunnar and Sigurth, and was compelled to give his sister to Gunnar, winning her consent thereto by representing Gunnar as Sigurth, her chosen hero (cf. Guthrunarkvitha I, 24 and note). The manuscript marks line 4 as the beginning of a new stanza, and many editors combine it with stanza 6. 56. Brynhild has now discovered the deceit that has been practised on her. That she had loved Sigurth from the outset (cf. stanza 40) fits well with the version of the story wherein Sigurth meets her before he comes to Gunnar’s home (the version not used in this poem), or the one outlined in the note on stanza 5, but does not accord with the story of Sigurth’s first meeting Brynhild in Gunnar’s form—an added reason for believing that the poet in stanzas 5–6 had in mind the story represented by stanzas 32–39. The hero: the manuscript originally had the phrase thus, then corrected it to “though I die,” and finally crossed out the correction. Many editions have “I.” 67. Perhaps a line is missing after line 3. 78. Glacier: a bit of Icelandic (or Greenland) local color. 89. Line 1 does not appear in the manuscript, and is based on a conjecture by Bugge. Some editions add line 2 to stanza 8. The manuscript indicates line 3 as the beginning of a stanza, and some editors assume a gap of two lines after line 4. Hunnish king: cf. stanza 4. 910. Lands: Brynhild’s wealth again points to the story represented by stanzas 32–39; elsewhere she is not spoken of as bringing wealth to Gunnar. 1011. Line 5, or perhaps line 3, may be interpolated. 1112. The son: the three-year-old son of Sigurth and Guthrun, Sigmund, who was killed at Brynhild’s behest. 1213. This stanza has been the subject of many conjectural emendations. Some editions assume a gap after line 2, and make a separate stanza of lines 3–7; others mark lines 5–7 as spurious. The stanza seems to have been expanded by repetition. Grief (line 1): the manuscript has “wrath,” involving a metrical error. 1314. Bugge and Gering transfer lines 4–5 to the beginning of stanza 16, on the basis of the Volsungasaga paraphrase, and assume a gap of one line after line 3. Line 5, which is in the nature of a stereotyped clause, may well be interpolated. 1415. After “Buthli” in line 2 the manuscript has “my brother,” apparently a scribal error. In line 4 the manuscript has “wealth” instead of “love,” apparently with stanza 10 in mind, but the Volsungasaga paraphrase has “love,” and many editors have suspected an error. 1516. Cf. note on stanza 14. After thus adding lines 4–5 of stanza 14 at the beginning of stanza 16, Gering marks line 4 as probably spurious; others reject both lines 3 and 4 as mere repetitions. Rhine: the Rhine, the sands of which traditionally contained gold, was apparently the original home of the treasure of the Nibelungs, converted in the North to Andvari’s treasure (cf. Reginsmol, 1–9). That greed for Sigurth’s wealth was one of the motives for his slaying is indicated likewise in Guthrunarkvitha I, 20, and in the German versions of the story. 1618. We four: if line 1 of stanza 19 is spurious, or the reference therein to “five” is a blunder, as may well be the case, then the “four” are Sigurth and the three brothers, Gunnar, Hogni, and Gotthorm. But it may be that the poet had in mind a tradition which, as in the Thithrekssaga, gave Gjuki a fourth son, in which case the “four” refers only to the four Gjukungs. Hunnish hero: Sigurth; cf. stanza 4 and note. Some editions put line 4 between lines 1 and 2. Some add lines 1–2 of stanza 19 to stanza 18, marking them as spurious. 1719. We five: see note on preceding stanza. Some editors mark lines 1–2 as spurious, and either assume a gap of two lines after line 4 or combine lines 3–4 with stanza 20. Whence lead the ways: a proverbial expression signifying “whence the trouble comes.” 1820. The manuscript does not name the speaker. Gotthorm (the name is variously spelt): half-brother of Gunnar and Hogni (cf. Hyndluljoth, 27 and note, and Brot, 4 and note). The name is the northern form of Gundomar; a prince of this name is mentioned in the Lex Burgundionum, apparently as a brother of Gundahari (Gundicarius). In the Nibelungenlied the third brother is called Gernot. 1921. No gap is indicated in the manuscript, and many editors combine stanza 21 with stanza 22, but it seems likely that not only two lines, but one or more stanzas in addition, have been lost; cf. Brot, 4, and also the detailed account of the slaying of Sigurth in the Volsungasaga, wherein, as here, Sigurth is killed in his bed (cf. stanza 24) and not in the forest. 2022. Some editions combine lines 3–4 with stanza 23. Gram: Sigurth’s sword (cf. Reginsmol, prose after stanza 14); the word here, however, may not be a proper name, but may mean “the hero.” 2123. A line may well have been lost from this stanza. 2224. Freyr: if the phrase “the friend of Freyr” means anything more than “king” (cf. Rigsthula, 46 etc.), which I doubt, it has reference to the late tradition that Freyr, and not Othin, was the ancestor of the Volsungs (cf. Helgakvitha Hundingsbana I, 57 and note). 2325. Müllenhoff thinks this stanza, or at any rate lines 1–2, a later addition based on stanza 29. 2426. My son: Sigmund; cf. stanza 12 and note, and also Brot, 9 and note. 2527. Sigurth means that although Guthrun may have seven sons by a later marriage, none of them will equal Sigmund, “son of their (i.e., Gunnar’s and Hogni’s) sister.” Thing: council. 2628. Sigurth’s protestation of guiltlessness fits perfectly with the story of his relations with Brynhild used in this poem, but not, of course, with the alternative version, used in the Gripisspo and elsewhere, wherein Sigurth meets Brynhild before he woos her for Gunnar, and they have a daughter, Aslaug. 2729. Cf. Guthrunarkvitha I, 15. 2831. Line 1 may well be a mere expansion of “Gunnar spake.” The manuscript marks line 4 as the beginning of a new stanza, and some editions combine lines 4–5 with stanza 32. 2932. This stanza, which all editors have accepted as an integral part of the poem, apparently refers to the same story represented by stanzas 37–39, which most editors have (I believe mistakenly) marked as interpolated. As is pointed out in the notes on stanzas 3, 5, 6 and 10, the poet throughout seems to have accepted the version of the story wherein Gunnar and Sigurth besiege Atli, and are bought off by the gift of Atli’s sister, Brynhild, to Gunnar as wife, her consent being won by Atli’s representation that Gunnar is Sigurth (cf. also Guthrunarkvitha I, 24 and note). 3033. The manuscript does not name the speaker, and some editions add a first line: “Then Brynhild, daughter | of Buthli, spake.” 3135. Three kings: Gunnar, Hogni, and Sigurth. 3236. Some editions place this stanza after stanza 39, on the theory that stanzas 37–39 are interpolated. Line 4, as virtually a repetition of line 3, has generally been marked as spurious. In this version of the winning of Brynhild it appears that Atli pointed out Sigurth as Gunnar, and Brynhild promptly fell in love with the hero whom, as he rode on Grani and was decked with some of the spoils taken from Fafnir, she recognized as the dragon’s slayer. Thus no change of form between Sigurth and Gunnar was necessary. The oath to marry Gunnar had to be carried out even after Brynhild had discovered the deception. 3337. Most editors mark stanzas 37–39 as interpolated, but cf. note on stanza 32. Stanza 37 has been variously emended. Lines 4 and 6 look like interpolated repetitions, but many editors make two stanzas, following the manuscript in beginning a new stanza with line 4. After line 1 Grundtvig adds: “Son of Buthli, | and brother of mine.” After line 6 Bugge adds: “Not thou was it, Gunnar, | who Grani rode, / Though thou my brother | with rings didst buy.” Regarding Brynhild’s wealth cf. stanza 10 and note. 3438. Brynhild here again appears as a Valkyrie. The manuscript marks line 4 as the beginning of a new stanza. Any one of the last three lines may be spurious. 3539. Some editions combine this stanza with lines 4–5 of stanza 38, with lines 1–2 of stanza 40, or with the whole of stanza 40. The bond: Brynhild thought she was marrying Sigurth, owner of the treasure, whereas she was being tricked into marrying Gunnar. 3641. At this point there seem to be several omissions. Brynhild’s statement in lines 1–2 seems to refer to the episode, not here mentioned but told in detail in the Volsungasaga, of Sigurth’s effort to repair the wrong that has been done her by himself giving up Guthrun in her favor, an offer which she refuses. The lacuna here suggested, which is not indicated in the manuscript, may be simply a single line (line 1) or a stanza or more. After line 2 there is almost certainly a gap of at least one stanza, and possibly more, in which Brynhild states her determination to die. 3742. Hardly any two editions agree as to the arrangement of the lines in stanzas 42–44. I have followed the manuscript except in transposing line 4 of stanza 43 to this position from the place it holds in the manuscript after line 4 of stanza 44. All the other arrangements involve the rejection of two or more lines as spurious and the assumption of various gaps. Gering and Sijmons both arrange the lines thus: 42, 1–2; two-line gap; 43, 3 (marked probably spurious); 44, 1–4; 43–4 (marked probably spurious); 42, 3–4; 43, 1–2. 3843. Cf. note on preceding stanza. 3944. Cf. note on stanza 42. 4045. Perhaps the remains of two stanzas; the manuscript marks line 4 as the beginning of a new stanza, and after line 4 an added line has been suggested: “She was ever known | for evil thoughts.” On the other hand, line 1, identical with line 1 of stanza 17, may well be a mere expansion of “Hogni spake,” and line 6 may have been introduced, with a slight variation, from line 5 of stanza 38. Born again: this looks like a trace of Christian influence (the poem was composed well after the coming of Christianity to Iceland) in the assumption that if Brynhild killed herself she could not be “born again” (cf. concluding prose to Helgakvitha Hundingsbana II). 4146. The manuscript marks line 3 as beginning a stanza; some editions treat lines 1–2 as a separate stanza, and combine lines 3–4 with lines 1–2 of stanza 47. Jewel-bearer (literally “land of jewels”): woman, here Brynhild. Bond-women, etc.: in stanza 69 we learn that five female slaves and eight serfs were killed to be burned on the funeral pyre, and thus to follow Sigurth in death. 4247. The manuscript marks line 3, and not line 1, as beginning a stanza, and some editions treat lines 3–4 as a separate stanza, or combine them with stanza 48. 4348. Brynhild means, as stanzas 49–51 show, that those of her women who wish to win rewards must be ready to follow her in death. The word translated “women” in line 1 is conjectural, but the general meaning is clear enough. 4449. In place of “as so she spake” in line 1 the manuscript has “of their plans they thought,” which involves a metrical error. 4551. No gap indicated in the manuscript; many editions place it between lines 3 and 4. Menja’s wealth: gold; the story of the mill Grotti, whereby the giantesses Menja and Fenja ground gold for King Frothi, is told in the Grottasongr. 4652. With this stanza begins Brynhild’s prophesy of what is to befall Gunnar, Guthrun, Atli, and the many others involved in their fate. Line 3 is a proverbial expression meaning simply “your troubles are not at an end.” 4753. No gap is indicated in the manuscript; one suggestion for line 2 runs: “Grimhild shall make her | to laugh once more.” Gering suggests a loss of three lines, and joins lines 3–4 with stanza 54. 4854. Probably a line has been lost from this stanza. Grundtvig adds as a new first line: “Her shalt thou find | in the hall of Half.” Some editions query line 3 as possibly spurious. Svanhild: the figure of Svanhild is exceedingly old. The name means “Swan-Maiden-Warrior,” applying to just such mixtures of swan-maiden and Valkyrie as appear in the Völundarkvitha. Originally part of a separate tradition, Svanhild appears first to have been incorporated in the Jormunrek (Ermanarich) story as the unhappy wife of that monarch, and much later to have been identified as the daughter of Sigurth and Guthrun, thus linking the two sets of legends. 4955. Line 2 in the original is almost totally obscure. Line 4 should very possibly precede line 2, while line 5 looks like an unwarranted addition. 5056. This stanza probably ought to follow stanza 52, as it refers solely to the winning of Brynhild by Gunnar and Sigurth. Müllenhoff regards stanzas 53–55 as interpolated. The manuscript indicates no gap after line 3. 5157. Stanzas 57–58 seem to be the remains of two stanzas, but the Volsungasaga paraphrase follows closely the form here given. Line 3 may well be spurious; line 5 has likewise been questioned. Oddrun: this sister of Atli and Brynhild, known mainly through the Oddrunargratr, is a purely northern addition to the cycle, and apparently one of a relatively late date. She figures solely by reason of her love affair with Gunnar. 5258. Possibly two lines have been lost; many editions combine the two remaining lines with lines 1–3 of stanza 59. Concerning the manner of Gunnar’s death cf. Drap Niflunga. 5359. Line 3 may well be spurious, as it is largely repetition. The manuscript has “sofa” (“sleep”) in place of “sona” (“sons”), but the Volsungasaga paraphrase says clearly “sons.” The slaying of Atli by Guthrun in revenge for his killing of her brothers is told in the two Atli lays. The manuscript marks line 4 as the beginning of a new stanza, and some editions make a separate stanza out of lines 4–5, or else combine them with stanza 60. 5460. To follow in death: this phrase is not in Regius, but is included in late paper manuscripts, and has been added in most editions. 5561. Jonak: this king, known only through the Hamthesmol and the stories which, like this one, are based thereon, is another purely northern addition to the legend. The name is apparently of Slavic origin. He appears solely as Guthrun’s third husband and the father of Hamther, Sorli, and Erp (cf. introductory prose to Guthrunarhvot). 5662. Svanhild: cf. stanza 54 and note. 5763. Bikki: Svanhild is married to the aged Jormunrek (Ermanarich), but Bikki, one of his followers, suggests that she is unduly intimate with Jormunrek’s son, Randver. Thereupon Jormunrek has Randver hanged, and Svanhild torn to pieces by wild horses. Ermanarich’s cruelty and his barbarous slaying of his wife and son were familiar traditions long before they became in any way connected with the Sigurth cycle (cf. introductory note to Gripisspo). 5864. Line 5 is very probably spurious. 5965. The manuscript indicates no gap; a suggested addition runs “Gold let there be, | and jewels bright.” Fallen slaves: cf. stanzas 66 and 69. Hunnish hero: cf. stanza 4 and note. 6066. In place of lines 3–4 the manuscript has one line “Two at his head, | and a pair of hawks”; the addition is made from the Volsungasaga paraphrase. The burning or burying of slaves or beasts to accompany their masters in death was a general custom in the North. The number of slaves indicated in this stanza does not tally with the one given in stanza 69, wherefore Vigfusson rejects most of this stanza. 6167. Cf. Gripisspo, 41 and note. After line 1 the manuscript adds the phrase “bright, ring-decked,” referring to the sword, but it is metrically impossible, and many editions omit it. 6268. The door: The gate of Hel’s domain, like that of Mengloth’s house (cf. Svipdagsmol, 26 and note), closes so fast as to catch any one attempting to pass through. Apparently the poet here assumes that the gate of Valhall does likewise, but that it will be kept open for Sigurth’s retinue. ‹Previous chapterPoetic Edda 65Next chapterPoetic Edda 67›Similar passagesBy tradition and source labelFind similarCompare selectedCompare with similarAsk Deep ThoughtSelect passages to search for parallels.Tap any verse to select it, then compare selected passages or ask Deep Thought. Public domain in the United States via Project Gutenberg