Metamorphoses, Books VIII-XVRoman MythologyAncient Myth / ComparativeLatinShareMetamorphoses 51Riley, Books VIII-XV - EnglishMoreVersion - 1 availableRiley, Books VIII-XVLanguageEnglishEspañol‹Metamorphoses 1Metamorphoses 2Metamorphoses 3Metamorphoses 4Metamorphoses 5Metamorphoses 6Metamorphoses 7Metamorphoses 8Metamorphoses 9Metamorphoses 10Metamorphoses 11Metamorphoses 12Metamorphoses 13Metamorphoses 14Metamorphoses 15Metamorphoses 16Metamorphoses 17Metamorphoses 18Metamorphoses 19Metamorphoses 20Metamorphoses 21Metamorphoses 22Metamorphoses 23Metamorphoses 24Metamorphoses 25Metamorphoses 26Metamorphoses 27Metamorphoses 28Metamorphoses 29Metamorphoses 30Metamorphoses 31Metamorphoses 32Metamorphoses 33Metamorphoses 34Metamorphoses 35Metamorphoses 36Metamorphoses 37Metamorphoses 38Metamorphoses 39Metamorphoses 40Metamorphoses 41Metamorphoses 42Metamorphoses 43Metamorphoses 44Metamorphoses 45Metamorphoses 46Metamorphoses 47Metamorphoses 48Metamorphoses 49Metamorphoses 50Metamorphoses 51Metamorphoses 52Metamorphoses 53Metamorphoses 54Metamorphoses 55Metamorphoses 56Metamorphoses 57Metamorphoses 58Metamorphoses 59Metamorphoses 60Metamorphoses 61Metamorphoses 62Metamorphoses 63Metamorphoses 64Metamorphoses 65Metamorphoses 66Metamorphoses 67Metamorphoses 68Metamorphoses 69Metamorphoses 70Metamorphoses 71Metamorphoses 72Metamorphoses 73Metamorphoses 74Metamorphoses 75Metamorphoses 76Metamorphoses 77Metamorphoses 78Metamorphoses 79Metamorphoses 80Metamorphoses 81Metamorphoses 82Metamorphoses 83Metamorphoses 84Metamorphoses 85Metamorphoses 86Metamorphoses 87Metamorphoses 88Metamorphoses 89Metamorphoses 90Metamorphoses 91Metamorphoses 92Metamorphoses 93Metamorphoses 94Metamorphoses 95Metamorphoses 96Metamorphoses 97Metamorphoses 98Metamorphoses 99Metamorphoses 100Metamorphoses 101Metamorphoses 102Metamorphoses 103Metamorphoses 104Metamorphoses 105Metamorphoses 106›Fable Iii. [Xi.146-193]Metamorphoses 51ListenPlay this chapter in spoken English.Save chapterListen to chapter1Pan is so elated with the praises of some Nymphs who hear the music of his pipe, that he presumes to challenge Apollo to play with him. The mountain God, Tmolus, who is chosen umpire of the contest, decides in favour of Apollo, and the whole company approve of his judgment except Midas, who, for his stupidity in preferring Pan, receives a pair of asses’ ears. He carefully conceals them till they are discovered by his barber, who publishes his deformity in a very singular manner. 2He, abhorring riches, inhabited the woods and the fields, and {followed} Pan, who always dwells in caves of the mountains; but his obtuse understanding[11] still remained, and the impulse of his foolish mind was fated again, as before, to be an injury to its owner. For the lofty Tmolus, looking far and wide over the sea, stands erect, steep with its lofty ascent; and extending in its descent on either side, is bounded on the one side by Sardis, on the other by the little Hypæpæ. 3While Pan is there boasting of his strains to the charming Nymphs, and is warbling a little tune upon the reeds joined with wax, daring to despise the playing of Apollo in comparison with his own, he comes to the unequal contest under the arbitration of Tmolus.[12] The aged umpire seats himself upon his own mountain, and frees his ears of the {incumbering} trees. His azure-coloured hair is only covered with oak, and acorns hang around his hollow temples. And looking at the God of the flocks, he says, “there is no delay in {me}, your umpire.” He sounds his rustic reeds, and delights Midas with his uncouth music; for he, by chance, is present as he plays. After this the sacred Tmolus turns his face towards the countenance of Apollo; his words follow {the direction of} his face. He, having his yellow head wreathed with Parnassian laurel, sweeps the ground with his robe, soaked in Tyrian purple,[13] and supports with his left hand his lyre, adorned with gems and Indian ivory; the other hand holds the plectrum. The very posture is that of an artist. He then touches the strings with a skilful thumb; charmed by the sweetness of which, Tmolus bids Pan to hold his reeds in submission to the lyre; and the judgment and decision of the sacred mountain pleases them all. Yet it is blamed, and is called unjust by the voice of Midas alone. But the Delian {God} does not allow his stupid ears to retain their human shape: 4but draws them out to a {great} length, and he fills them with grey hairs, and makes them unsteady at the lower part, and gives them the power of moving. The rest {of his body} is that of a man; in one part alone is he condemned {to punishment}; and he assumes the ears of the slowly moving ass. 5He, indeed, concealed them, and endeavoured to veil his temples, laden with this foul disgrace, with a purple turban. But a servant, who was wont to cut his hair, when long, with the steel {scissars}, saw it; who, when he did not dare disclose the disgraceful thing he had seen, though desirous to publish it, and yet could not keep it secret, retired, and dug up the ground, and disclosed, in a low voice, what kind of ears he had beheld on his master, and whispered it to the earth cast up. And {then} he buried this discovery of his voice with the earth thrown in again, and, having covered up the ditch, departed in silence. 6There, a grove, thick set with quivering reeds, began to rise; and as soon as it came to maturity, after a complete year, it betrayed its planter. For, moved by the gentle South wind, it repeated the words {there} buried, and disclosed the ears of his master. 7[Footnote 11: Obtuse understanding.--Ver. 148. ‘Pingue sed ingenium mansit,’ is rendered by Clarke, ‘but he continued a blockhead still.’] 8[Footnote 12: Tmolus.--Ver. 156. This was the tutelary divinity of the mountain of Tmolus, or Tymolus.] 9[Footnote 13: Soaked in Tyrian purple.--Ver. 166. Being saturated with Tyrian purple, the garment would be ‘dibaphus,’ or ‘twice dipt;’ being first dyed in the grain, and again when woven. Of course, these were the most valuable kind of cloths.] ‹Previous chapterMetamorphoses 50Next chapterMetamorphoses 52›Similar passagesBy tradition and source labelFind similarCompare selectedCompare with similarAsk Deep ThoughtSelect passages to search for parallels.Tap any verse to select it, then compare selected passages or ask Deep Thought. Public domain in the United States via Project Gutenberg